1. « Primavera inútil de María Luisa Algarra : realidad y simbología del exilio francés » p. 223-237.
Titre | 1. « Primavera inútil de María Luisa Algarra : realidad y simbología del exilio francés » p. 223-237. |
Type de publication | Chapitre d'ouvrage |
Année de publication | 2022 |
Langue | Espagnol |
Titre de l'ouvrage | Letras Hispánicas : identidad y género |
Volume | Escritoras y escrituras |
Pagination | 223-237 |
Auteur(s) | González Naranjo, R. |
Directeur(s) | Vázquez, L. Granillo et Martín-Clavijo M. |
Editeur | Dykinson |
Ville | Madrid |
Numéro ISBN | 978-84-1122-337-9 |
Mots-clés | Exile Republican Women, France, María Luisa Algarra, modern woman, Primavera inútil |
Résumé | In 1939, republican Spain was exiled after a bloody and cruel civil war. The refugees expressed their strong desire to write about their experiences. A young Catalan playwright, María Luisa Algarra, a refugee in France, wrote a play that, we speculate, could be based upon her own experiences, given the many mysteries surrounding her life story: did she belong to the French Resistance? Is the play purely autobiographical or is it also a symbolic text that evokes the state of Europe at that time? Primavera inútil introduces us to a group of antifascists in 1939, who take refuge in a French castle, hoping to flee from Europe. Romantic bonds are formed, and through them a significant emotional symbolism appears which reflects the crisis in the Old World. |